Thursday, June 15, 2017
Sunday, June 11, 2017
Thursday, June 8, 2017
Saturday, June 3, 2017
Wednesday, May 31, 2017
Wednesday, May 24, 2017
Sunday, May 21, 2017
Thursday, May 18, 2017
Wednesday, May 3, 2017
Friday, April 28, 2017
Saturday, April 15, 2017
Wednesday, April 12, 2017
Steve Gibson
Steve Gibson Fiji Light 6 2017 oil on linen 54" x 40"
stevegibsonstudio.squarespace.com
This painting is one of 41 paintings being shown at the Athenaeum in La Jolla, Ca.
The exhibition is titled Randomthoughts: Steve Gibson Paintings and Drawings. It will run through May 6, 2017.
Wednesday, April 5, 2017
Wednesday, March 29, 2017
Sunday, March 26, 2017
Holly Coulis
Holly Coulis Large Lemon, Stripes, Knives 2017 oil on linen 24.13" x 30.13"
cherryandmartin.com
Holly Coulis' new paintings at Cherry and Martin are exquisite in their execution. The artist has a way of handling oil paint that goes beyond craftsmanship and takes it to the sublime. The delicate line work and subtle modulation of color within the shapes she chooses takes the narrative to another space altogether. The work reminds me a bit of Trevor Winkfield's, but instead of symbols she chooses the every day items one would encounter in the kitchen, garden or other elements of domesticity. Like Morandi, she infuses the every day with a charm and almost mystical quality.
Wednesday, March 22, 2017
Wednesday, March 15, 2017
Friday, March 10, 2017
Wednesday, March 8, 2017
Steve Gibson
Steve Gibson Fiji Light 2015 oil on linen 40" x 36"
stevegibsonstudio.squarespace.com
This along with 40 other paintings will be on exhibit at the La Jolla Athenaeum Art & Music Library
Joseph Clayes Gallery in April.
Wednesday, March 1, 2017
Christina Ramberg
Christina Ramberg (1946-1995 ) Untitled Torso With Pants 1982 acrylic on masonite 13" x 11.5"
corbettvsdempsey.com
Christina Ramberg's painting Untitled Torso With Pants is a great example of how a artist can say so much with so little. Her narrative on women in our culture during her shortened life is alive today as much or more so than when she painted it in 1982. Her ability to bring forth a dialectic that included gender, bias and femininity with her painting was admired by me then and is perhaps even more salient today.
Subscribe to:
Posts (Atom)



















