Susan Dory Small Country 2015 acrylic on canvas over panel 34" x 20"
newyork.winstonwachter.com
Wednesday, March 29, 2017
Sunday, March 26, 2017
Holly Coulis
Holly Coulis Large Lemon, Stripes, Knives 2017 oil on linen 24.13" x 30.13"
cherryandmartin.com
Holly Coulis' new paintings at Cherry and Martin are exquisite in their execution. The artist has a way of handling oil paint that goes beyond craftsmanship and takes it to the sublime. The delicate line work and subtle modulation of color within the shapes she chooses takes the narrative to another space altogether. The work reminds me a bit of Trevor Winkfield's, but instead of symbols she chooses the every day items one would encounter in the kitchen, garden or other elements of domesticity. Like Morandi, she infuses the every day with a charm and almost mystical quality.
Wednesday, March 22, 2017
Wednesday, March 15, 2017
Friday, March 10, 2017
Wednesday, March 8, 2017
Steve Gibson
Steve Gibson Fiji Light 2015 oil on linen 40" x 36"
stevegibsonstudio.squarespace.com
This along with 40 other paintings will be on exhibit at the La Jolla Athenaeum Art & Music Library
Joseph Clayes Gallery in April.
Wednesday, March 1, 2017
Christina Ramberg
Christina Ramberg (1946-1995 ) Untitled Torso With Pants 1982 acrylic on masonite 13" x 11.5"
corbettvsdempsey.com
Christina Ramberg's painting Untitled Torso With Pants is a great example of how a artist can say so much with so little. Her narrative on women in our culture during her shortened life is alive today as much or more so than when she painted it in 1982. Her ability to bring forth a dialectic that included gender, bias and femininity with her painting was admired by me then and is perhaps even more salient today.
Sunday, February 26, 2017
Friday, February 24, 2017
Monday, February 20, 2017
Wednesday, February 15, 2017
Steve Gibson
Steve Gibson High Karate 2009 gouache and flashe on paper 40" x 30"
stevegibsonstudio.squarespace.com
Thursday, February 9, 2017
Elizabeth Murray
Elizabeth Murray Whozat #4 (Drawing for whazzat #4 print) 1995 pastel and charcoal on collaged paper 35" x 21.5"
canadanewyork.com
Wednesday, February 1, 2017
Ron Nagle
Ron Nagle Fiestasiesta 2013 ceramic, glaze, catalyzed polyurethane, epoxy resin
3.75" x 4.75"
matthewmarks.com
Sunday, January 29, 2017
Catherine Colangelo
Catherine Colangelo Forget Me Not Shield 2016 gouache and graphite on muslin over wood panel 16" x 12"
cindy-lisica.squarespace.com
Tuesday, January 24, 2017
David Lloyd
David Lloyd Untitled 2016 acrylic on wood 23" x 22"
klowdenmann.com
David Lloyd is having a one person exhibition of new paintings at Klowden Mann in Culver City opening this Sat. Jan. 28. Any one in L A interested in painting from an artist that has been around a while should try and attend. He is an eloquent speaker and fine painter. Should his current exhibition be as interesting as his last ( and I'm sure it will be) this will be an excellent opportunity to see a seasoned painter in his prime.
Friday, January 20, 2017
Peter Saul
Peter Saul I Torture Commy Virgins 1967 oil on canvas 68" x 72"
georgeadamsgallery.com
CB1 Gallery cb1gallery.com in L.A. is showing some early Peter Saul work. Saul is represented by George Adams Gallery in NYC so, here is your opportunity to see some great early work by one of the most original figurative painters of his time here on the west coast.
Tuesday, January 17, 2017
Gary Stephan
Gary Stephan Untitled 2016 acrylic on canvas 30" x 40"
hionasgallery.com
Gary Stephan is in a show at Hionas Gallery in NYC. Those of you on the east coast should avail yourselves if you are in the area. I have been a fan of his work since the 80's an each year he seems to get even better than the year before. He is a masterful paint handler, colorist and conjurer of unique perspectives in painting.
Friday, January 13, 2017
Heidi Pollard
heidipollard.com
Heidi Pollard is a painter from New Mexico that I have posted here before. Her work resonates with me on many levels. Her paint handling is skillful without excessive bravado. Her subject matter is personal but at the same time universal in nature. Her allusions to real and imagined worlds unfold into evocative compositions that are simple yet complex enough to hold ones attention. In short, she is my kind of painter and well deserving of her recent grant from the Joan Mitchell Foundation.
Monday, January 9, 2017
Friday, January 6, 2017
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